Douglas Gordon's k.364, at the Gagosian Gallery, follows two musicians travelling to Warsaw. Douglas Gordon: I had nowhere to go. Gordon was born in Glasgow, Scotland, and studied sculpture and environmental art at the Glasgow School of Art (1984–88). Katrina Brown discusses the importance of Douglas Gordon’s 24 Hour Psycho (1993) and some of the films that followed, touching on threads that run throughout the artist’s career. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation. Directed and Produced by Alfred Hitchcock. Gordon’s installations, photographs, text works, and performances create the … C O M tears become … streams become … (with Hélène Grimaud). Acquired from the above by the present owner. Executed in 2006 Provenance. Themes of identity, the image of the self, portraits, and mortality continue in Gordon’s more recent sculptures, text works, and film and video works. Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 13, 2021. Installation at the Museum für Moderne Kunst, Frankfurt© lost but found, Video installation: a stage, a screen, a burnt steinway piano, a black steinway piano and a monitor, Dimensions variable, edition of 3© lost but found, Douglas Gordon, Tryst between RWF and AR via RAG, 2008, Red and white neon, Plexiglas, aluminum, cables and transformer, 118 ⅛ × 49 3/16 × 15 11/16 inches (300 × 125 × 40 cm), edition of 6© lost but found, Douglas Gordon, Self Portrait of You + Me (Jackie smiling II), 2008, Burned print, smoke and mirror, 45 ⅜ × 36 13/16 inches (115.2 × 93.5 cm)© lost but found, If you want to find the truth in something, take it apart piece by piece, then put it back together with the detail of a forensic scientist. Installation view, MGK, Kunstmuseum Basel, 2013. Like Martin Creed’s lights going on and off or Tate’s 1976 acquisition of Carl Andre’s ‘pile of bricks’, the film ignited the British tabloids’ finest writers. Anthology Film Archives will screen Douglas Gordon’s 2016 film I had nowhere to go: Portrait of a displaced person. © Universal City Studios. Museo Jumex, Mexico City Gagosian Geneva is pleased to announce an exhibition by Douglas Gordon, coinciding with the opening of the Biennale de l’Image en Mouvement at the Centre d’Art Contemporain in Geneva. In Non-Stop (2018) Gordon’s eye opens and closes slowly, the retina reflecting a series of single words extracted from signs, names, and places around the Soho area, where he lived in the late 1980s. Artwork, front: © Dan Graham; ceiling © Studio lost but found/VG Bild-Kunst, Bonn 2020, March 21, 2020–January 10, 2021 A 24-hour screening of 24 Hour Psycho Back and Forth and To and Fro (2008) will take place at our 21st Street gallery on November 17, starting at 10am and finishing on November 18 at 10am. Douglas Gordon, Portrait of Janus (divided states), 2017 (still) © Studio lost but found/VG Bild-Kunst, Bonn 2017. Comprising four thematic sections—migration and liberty, the human body, the environment, and the inexorable passage of time—the show aims to address the issues shaping our contemporary world. Twenty-four Hour Psycho (1993) made Douglas Gordon famous. Athens Attica, Greece. Distributed by Paramount Pictures © Universal City Studios, Douglas Gordon I had nowhere to go: Portrait of a displaced person, 2016, Super 8 film and video transferred to digital video, color and black, sound, 97 min. Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen, Opening reception: Tuesday, December 3, 5–8pmDecember 4–8, 2019Moore Building, Miami. Two years later Gordon was named a Commandeur dans l’ordre des Arts et des Lettres by the French Republic. Installation views, works, editorial content, and more. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Sep 29, 2019 - Find out more about the 2014 exhibition Douglas Gordon: Phantom at Gagosian Park & 75, New York. Selfridges has invited the Gagosian Shop to showcase a curated selection of items at the department store’s Corner Shop in anticipation of the unveiling of London’s new Elizabeth railway line in 2020. www.louvrelens.fr. Link/Page Citation Douglas Gordon's latest video installation, in which an Indian elephant moves silently across two freestanding screens and a monitor installed in the gallery's cavernous space, has been taken as everything from a comment on man's relationship with nature to an unlikely instance of abstraction. Psycho, 1960, USA. I had nowhere to go: Portrait of a displaced person (2016), a filmic portrait of Jonas Mekas, godfather of American avant-garde cinema, premiered at Documenta 14 in Athens and Kassel in 2017. Douglas Gordon will speak with photographer Michel Auder and art critic Lolita Jablonskienė on the life and legacy of Jonas Mekas, the “godfather of avant-garde film.” All three speakers were friends and admirers of Mekas. DVD Still. 2014 Douglas Gordon: Phantom. The scenes are mirrored and slowed down, and switch back and forth between positive and negative in order to emphasize the character’s shifting personalities. This exhibition, whose title translates to On the Knife’s Edge, brings together works by more than forty international artists. In 2006, Douglas Gordon Superhumanatural opened at the National Galleries of Scotland complex in Edinburgh, being Gordon's first major solo exhibition in Scotland since he … The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. Douglas Gordon, 24 Hour Psycho Back and Forth and To and Fro, 2008. To attend the event, RSVP to rsvplondon@gagosian.com. Using literature, folklore, and iconic Hollywood films in addition to his own footage, drawings, and writings, he distorts time and language in order to disorient and challenge. 3 Merlin Street; Athens Attica; 106 71; Greece; Gagosian Gallery | Athens. This work is number seven from an edition of thirteen. I had nowhere to go: Portrait of a displaced person. Discover (and save!) Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland. You’re only as young as the last time you changed your mind.—Timothy Leary. Douglas Gordon. The event is free and open to the public. Previous image Next image. The exhibition Douglas Gordon: The Morning After was scheduled to open at the Giacometti Institute in Paris on April 24, 2020, placing original works by Gordon side by side with those of Alberto Giacometti. Gagosian Gallery, Park & 75, New York, NY. Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. Publication Gagosian Gallery – Douglas Gordon: k. 364 2012. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. Location details Toggle Location details. Dyr i kunsten, or Animals in Art, features sculpture, installations, video, photography, and paintings by a wide array of international artists whose work explores the ways that humans study, categorize, live with, and use animals and how we thus attempt to gain a deeper understanding of ourselves. Artist Douglas Gordon; Technique Installation; Historical classification 1990s; Zidane: A 21st Century Portrait, 2005-2006 Douglas Gordon Request Image. Executed in 2006 Provenance. The exhibition Douglas Gordon: The Morning After was scheduled to open at the Giacometti Institute in Paris on April 24, 2020, placing original works by Gordon side by side with those of Alberto Giacometti. Douglas Gordon: Gagosian Gallery. The pop-up features apparel by Douglas Gordon and prints by Richard Wright—both artists who will have new public installations in the Tottenham Court Road station, located close to Selfridges—and much more. A gallery assistant poses for photographers with an artwork called '100 Blind Stars' by Douglas Gordon, during a preview at the Scottish National Gallery of Modern Art in Edinburgh, Scotland December 14, 2012. Ahead of the unveiling of London’s new Elizabeth railway line in 2020, Douglas Gordon and Richard Wright were commissioned to create artworks for the windows of Selfridges as part of the department store’s recently launched State of the Arts project. Unfortunately, owing to the covid-19 crisis, the exhibition had to be delayed for a year. Arken Museum, Ishoj, Denmark uk.arken.dk. Gagosian Quarterly invited Pulitzer Prize–winning author Anne Boyer to be the magazine’s fiction writer for 2020. Douglas Gordon’s film Portrait of Janus (divided states) (2017) will be screened in Berlin. Gagosian Gallery, New York. DOUGLAS GORDON, private view invitation card, Gagosian gallery, 2016 | eBay Held at the Gagosian gallery, Geneva. T-shirt produced in 2007, in conjunction with "Douglas Gordon: self-portrait of you + me, after the factory," Gagosian Gallery Madison Avenue *Available for purchase online only. The first chapter begins on Tuesday, May 19, 2020. The film is an intimate portrait of the legendary poet, film critic, and risk-taking curator Jonas Mekas, who had been dubbed “the godfather of American avant-garde cinema,” and who at ninety-four years old is also among the remaining few to have escaped and survived Nazi persecution. The exhibition features nearly 180 works, intermingling periods and disciplines, and spanning painting, fashion, the decorative arts, the moving image, and installations. For over thirty years, Artangel has worked with artists to produce extraordinary artworks of public import in unexpected places. To attend the free event, register at www.derryvoid.com. Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film. Acquired from the above by the present owner. In 1990 he returned to Glasgow and became involved with Transmission Gallery, an artist-run space that hosted exhibitions and served as a studio and social hub. employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. In 2000 Gordon had his first survey exhibition in the United Kingdom, Black Spot, at Tate Liverpool. In a related series of sculptures, Gordon depicted parts of his hands and forearms in embracing positions that can be read as either innocent or sinister, expressing the psychological battles at play within an individual. In Déjà-Vu (2000), composed of footage from Rudolph Maté’s noir D.O.A. Artwork © Studio lost but found/VG Bild-Kunst,Bonn 2017 Film still courtesy moneypenny and olddognewtricks gmbh, Carrara marble, 6 11/16 × 4 5/16 × 3 9/16 inches (17 × 11 × 9 cm)© Studio lost but found / VG Bild-Kunst, Bonn 2017, photo by Studio lost but found / Katharina Kiebacher, Enamel spray on paint on aluminum, 59 1/16 × 78 ¾ inches (150 × 200 cm)© lost but found, Video installation, two HD video projections, sound, 93 min, looped, Dimensions variable, edition of 3. - Douglas Gordon Share Tweet. Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film. Commissions by gallery artists include Rachel Whiteread’s House (1993), a negative concrete cast of a condemned terrace house in Bow, London; Douglas Gordon’s Feature Film (1998); and most recently, Taryn Simon’s highly acclaimed performance on the culture of mourning, An Occupation of Loss (2016 and 2018), presented in an astonishing underground location in Islington, London. Special Notice. Artwork © Succession Giacometti. Douglas Gordon. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation. To celebrate the closing of the collaboration, Gagosian and Selfridges will host a reception at the Corner Shop in Selfridges on Thursday, March 28, from 6pm to 8pm. (New York). ´lasñdkjsaep. Douglas Gordon and Rufus Wainwright collaborated to produce afflictive, slow-motion projections to accompany Wainwright’s performances during his 2010 All Days Are Nights: Songs for Lulu tour. Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. Distributed by Paramount Pictures. (65.6 x 61.1cm.) Two years later Gordon presented 24 Hour Psycho (1993) at Tramway, Glasgow. This sensory exhibition, whose title translates to Black Suns, offers a fresh perspective on the color black, which has been endowed with a multitude of symbolic meanings in Western art from antiquity to the present day. Douglas Gordon. Douglas Gordon was born in 1966 in Glasgow, and lives in Berlin and Paris. The show brought together major works, displayed in a sprawling configuration devised by the artist, that spread from the museum’s top floor to the freight elevator to a location outside. 364’, Douglas Gordon accompanies two Israeli musicians (Avri Levitan and Roi Shiloah) as they make a train journey from Berlin to Warsaw to perform Mozart’s ‘Sinfonia Concertante k. 364’. The work extends the duration of Alfred Hitchcock’s film Psycho (1960) from its original 110 minutes to 24 hours; the manipulated footage was played on a large hanging screen in a dark room, which allowed visitors to view the projection from the front or the back. . The eye thus seems to be reflecting, literally and metaphorically, on the Soho that was once known for its nightlife, media culture, grass roots music venues, and underground performance. Selected images Enlarge. Douglas Gordon is represented by Gagosian Gallery. Opening reception: Saturday, October 12, 6:30–8pmOctober 12–20, 2019Galeries Lafayette Champs-Élysées, Parisgalerieslafayettechampselysees.com. Installation views, works, editorial content, press, and more. The exhibition will be organized into a series of “chapters,” each lasting two weeks. Feb 25, 2019 - Explore Gagosian's board "Douglas Gordon", followed by 10947 people on Pinterest. Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen, Opening reception: Tuesday, December 3, 5–8pmDecember 4–8, 2019Moore Building, Miami. All artworks © Studio lost but found/Douglas Gordon/VG Bild-Kunst, Bonn, 2016. Work by Douglas Gordon, Simon Hantaï, and Damien Hirst is included. Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait, 2006, installation view, Louisiana Museum of Modern Art, Humlebaek, Denmark. After graduating, he attended the Slade School of Fine Art, London (1988–90), where he began to more deeply explore his interests in cinema and film. Douglas Gordon k.364 Poster Produced in 2011, in conjunction with "Douglas Gordon: k.364" at Gagosian Gallery, Britannia Street, London 30 × 24 inches (76.2 × 61 cm) Through March 28, 2019Selfridges, Londonwww.selfridges.com. Directed and Produced by Alfred Hitchcock. Download the full press release in English (PDF) or French (PDF), Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019, Saturday, June 15, 2019, 5–6pmMesse Baselartbasel.com/basel. G BY George Barber in Reviews | 01 MAY 11 Douglas Gordon, k.364, 2011. Courtesy Gagosian Gallery. G A G O S I A N W W W . The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. 1966) Self-Portrait of You+Me (Jenny Agutter) burnt gelatin silver print and ash on mirror in artist's frame 25 7/8 x 24 1/8in. Commissioned and produced by Locus+, Friday, November 9, 2018, 6pmVoid, Derry, Northern Irelandwww.derryvoid.com. www.fundacionjumex.org. Zidane: A 21st Century Portrait (2006), a film collaboration by Douglas Gordon and Philippe Parreno, is screening outdoors as part of Summer at Louisiana. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Artwork © Studio lost but found/VG Bild-Kunst, Bonn 2020 and © Philippe Parreno. Simon Hantaï, Etude I, suite pour Pierre Reverdy, 1969 © Archives Simon Hantaï/ADAGP, Paris, 2020. This unprecedented partnership, the institute’s first with a contemporary artist, will variously take the form of impromptu interventions, disseminations, exchanges, and meetings on the foundation’s website and in the spaces of the institute and its partners. Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. See more ideas about douglas gordon, gordon, douglas. Many have attributed Gordon’s ongoing engagement with opposites to his interest in Scottish literary history, in which the tension between good and evil is a predominant theme. The gallery will resume normal hours following the screening (10am–6pm). Gagosian Gallery | Athens. The first chapter begins on Tuesday, May 19, 2020. Douglas Gordon (b. The film is a portrait of Jonas Mekas, the legendary artist, filmmaker, poet, curator, and godfather of American avant-garde cinema. Photo: David Stjernholm, June 23–August 16, 2020 Musée du Louvre-Lens, France Gagosian is pleased to present k.364, an exhibition by Douglas Gordon. your own Pins on Pinterest the only way out is the only way in: Douglas Gordon. Special Notice. 1966) Self-Portrait of You+Me (Jane Seymour) burnt gelatin silver print and ash on mirror in artist's frame 32 7/8 x 28 5/8in. Work by Douglas Gordon and Damien Hirst is included. 1966) croque mort (d) signed 'Douglas Gordon' (on a paper label affixed to the reverse) color coupler print 54 x 37 in. Courtesy Gagosian. (1949), the protagonist shifts between life and death through a series of overlapping flashbacks and temporal divergences. Work by Douglas Gordon, Damien Hirst, and Carsten Höller is included. Douglas Gordon’s film Portrait of Janus (divided states) (2017), which focuses on Korea’s demilitarized zone, the strip of land separating North and South Korea, will be screened by the Void in Derry, Northern Ireland. Gordon’s 2016 film I had nowhere to go: Portrait of a displaced person incorporates one minute of real-time footage per year of Mekas’s momentous life, covering his departure from his native Lithuania, to his time in forced-labor camps and a displaced persons’ center during World War II, to his eventual arrival in New York, and beyond. The following year, Gordon was commissioned to create a work for the new Crossrail station at Tottenham Court Road, London. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. (83.4 x 73cm.) . 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